I was asked to DP and help edit a short documentary based on six conversations with the producer’s friends. She’s an undergrad at Emerson College, so I have to first of all give her props for having the courage to seek me out and ask me – I’m not sure I would have been so bold at 20. She (Elizabeth Charles) wants to be a producer, and so far she’s on the right track.
We shot and cut the project in one day, due to schedule, and because the competition she entered it in had a deadline of the same day we were able to film. It was a bit rushed in the edit, but overall I think it turned out. I’m not crazy about the music, but it was provided by the contest organizers.
Shot in a small dorm lounge with EX1, Letus Extreme, Zeiss 85mm f1.4, a Lowel kit and my Mole Richardson tweenie kit. I enjoyed lighting this piece as it was a challenge given the space.
I was asked to DP and help edit a short documentary based on six conversations with the producer’s friends. She’s an undergrad at Emerson College, so I have to first of all give her props for having the courage to seek me out and ask me – I’m not sure I would have been so bold at 20. She (Elizabeth Charles) wants to be a producer, and so far she’s on the right track.
We shot and cut the project in one day, due to schedule, and because the competition she entered it in had a deadline of the same day we were able to film. It was a bit rushed in the edit, but overall I think it turned out. I’m not crazy about the music, but it was provided by the contest organizers.
Shot in a small dorm lounge with EX1, Letus Extreme, Zeiss 85mm f1.4, a Lowel kit and my Mole Richardson tweenie kit. I enjoyed lighting this piece as it was a challenge given the space.